pavlov77

elemenop:

garden by Busters notater on Flickr.

1日前 / 27リアクション / reblog

oldbookillustrations:

From a bottle of blue and white china; a very fine example of symmetrical arrangement: it is also interesting as showing the limit of shade and relief in the representation of flowers - a limit which the Chinese constantly reach, but never exceed.
From Examples of Chinese ornament, by Owen Jones, London, 1867.
(Source: archive.org)

1日前 / 476リアクション / reblog

elinka:

spin
By tiffanie ragasa

1日前 / 24リアクション / reblog

yama-bato:

Herbert List

ITALY. Venice. Piazza San Marco. 1939.
via

1日前 / 138リアクション / reblog

bicktorious:

nice looking clouds

1日前 / 196リアクション / reblog

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elinka:

poppies
By Lucia Patané

1日前 / 16リアクション / reblog

1日前 / 293リアクション / reblog

1日前 / 2,108リアクション / reblog

no-vox:

forestmilk:
Throughout the mid to late 1970s and upwards, Hiroshi Sugimoto packed up a folding 4x5 camera & tripod, surreptitiously entered matinees (and, one can only presume, evening film events) and documented the interior of movie theatres across the United States. He would open the shutter just before the ‘first light’ hit the screen and close it after the credits finished rolling and before the house lights came on. Using this method he was able to invert the subject/object relationship of the movie theatre and use the film itself to illuminate the proscenium and interior. This content, largely unaddressed critically, is what lends the images their incredible power — along wtih the natural fascination of being made privy to the photography’s divine birthright — allowing us to see the normally invisible, to experience a finite collapse of time.

1日前 / 2,019リアクション / reblog

1日前 / 414リアクション / reblog

wasbella102:

1.6180339887, Fibonacci Sequence

1日前 / 17リアクション / reblog

3kkonsept:

doğanın mükemmel renkleri…

1日前 / 435リアクション / reblog

1日前 / 70リアクション / reblog

hresvelgr:

American Gothic, Detroit, Michigan, USA, 2008 (by Andrew Moore)

1日前 / 303リアクション / reblog